Land & Light
Land & Light brings together paintings shaped by atmosphere, memory, and the changing moods of the landscape. These works are less about describing a specific place and more about capturing the feeling of being within it: open skies, shifting weather, distant horizons, and the quiet energy that lives in fields, coastlines, and wide rural spaces.
Through layered colour, expressive mark making, and a balance between structure and abstraction, each painting invites a sense of calm and openness into the interior. These are pieces designed to live easily within contemporary spaces, offering moments of stillness, light, and connection to the natural world, long after the landscape itself has been left behind.
oil on linen
100cm x 76cm
unframed but framing is available. Get in touch for details
Inspired by the atmosphere of the ancient ruins of Corfe Castle, Dorset.
by Karina Nixon
oil on linen
100cm x 76cm
Unframed. Framing is available. Get in touch for details
Inspired by the atmosphere of the ancient ruins of Corfe Castle, Dorset.
by Karina Nixon
oil on canvas
100 × 100cm
framed in brown wood hand-painted tray frame
by Hannah Ivory Baker
oil and acrylic on canvas
120 x 100cm
framed in white woodgrain tray frame 124 x 104
by Georgia Elliott
oil and acrylic on canvas
100 x 100cm
framed in white woodgrain tray frame 104 x 104
by Georgia Elliott
oil and coal on steel
150 x 50cm
unframed
by Sam Peacock
Part of the Coal Collection, this work reflects on Britain’s coal mining heritage, with particular reference to the East Midlands and the area around Radcliffe on Soar.
The painting considers the region’s industrial history and the changing future of coal in Britain, especially in light of the decommissioning of the country’s last coal fired power station. Coal itself has been ground into a fine dust and added directly into the paint, giving the surface a physical connection to the industry it references.
The work is presented on steel plate, which was buried in clay for a year. This process allowed the metal to weather and deteriorate naturally, echoing the decline of the coal industry and the gradual erosion of the structures, landscapes and livelihoods once built around it.
acrylic & coloured pencil on paper
60 x 60cm
includes mount
by Christopher Rainham
oil on hand stretched deep edge canvas
110 x 110cm
framed in wood tray frame hand painted in white approx. 114 x 114cm
by Hannah Ivory Baker
the Collections Journal
Neutral interiors rely on subtlety, texture and restraint, and the right artwork can deepen that sense of calm. This piece considers how painting can bring warmth, softness and quiet focus to more pared back spaces.
Today’s neutral interiors are richer, warmer and far more nuanced than a simple beige backdrop. This article looks at the most modern neutral palettes for 2026 and how thoughtfully chosen art can bring them to life.
Creating a calm interior is not about stripping everything back, but about making thoughtful choices with tone, texture and balance. This piece shares seven design approaches that bring depth, elegance and ease to neutral spaces.
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oil on board
30 × 23cm
framed 46 × 38cm
by Matthew Cordwell